| | "But why paint it as anti-capitalist?"
Because it is?
There is no "painting" necessary. The inability to separate liking the visuals and that the movie has a plot from the fact that its also leftist tripe is rationalization. I didn't say child-rape and murder. I said rationalization.
Wikipedia:
In 2154, a corporation is mining Pandora, the lush, Earthlike moon of the gas giant planet Polyphemus, in the Alpha Centauri system. The humans are exploiting the unobtanium reserves. Parker Selfridge [i.e., SELFISH] (Giovanni Ribisi), the administrator, employs former marines as mercenaries.
The indigenous are the Na'vi, a paleolithic [Stone Age] species of sapient humanoids. Standing 9 feet (2.7 m) tall, with tails, bones reinforced with carbon fiber, and bioluminescent blue skin, they live in harmony with Nature and worship a mother goddess called Eywa. Humans cannot breathe Pandora's atmosphere. Humans have created human-Na'vi hybrid bodies, Avatars, that are used to explore Pandora. Humans who share genetic material with an avatar can control it while their own body sleeps.
Colonel Miles Quaritch (Stephen Lang) orders Jake to gain the trust of the Na'vi so as to get them to abandon Hometree, which covers a large unobtanium deposit. As part of his Omaticaya initiation, Jake tames a flying creature known as a Banshee.
Neytiri and Jake choose each other as mates, much to the jealousy of Tsu'Tey (Laz Alonso). Meanwhile, a bulldozer almost runs them over, however, Jake is able to disable it but at a cost: the Tree of Voices is destroyed. Quaritch reveals a vlog where Jake says the Na'vi will never leave; Selfridge orders the destruction of Hometree. With the assistance of Neytiri and Tsu'Tey, Jake vows defiance against the humans and assembles thousands of Na'vi from other tribes. Quaritch, seeing the Na'vi's strength, orders a preemptive strike to destroy the Tree of Souls, the center of Na'vi religion and culture. Its destruction would leave the Na'vi too demoralized to continue resisting the humans. Jake prays to Eywa to intercede on behalf of the Na'vi in the forthcoming battle.
The Na'vi fight bravely but suffer heavy casualties, including Tsu'Tey, Trudy, and Norm's avatar. When all hope seems lost, the Pandoran wildlife launch a mass attack, overwhelming the humans. Neytiri interprets this as Eywa answering Jake's prayer. Quaritch orders the bombing of the Tree of Souls but Jake destroys the bomber before it can drop its payload.
The humans are expelled from Pandora, while Jake and his friends remain. Jake is seen wearing the insignia of the Omaticaya clan leader suggesting that he has become the new leader after Tsu'Tey. The film ends with Jake's soul being transplanted into his Na'vi avatar.
Avatar is centered around the themes of imperialism and biodiversity.[45] Cameron has said that Avatar shares themes with At Play in the Fields of the Lord, and The Emerald Forest, which feature clashes between cultures and civilizations, and acknowledged the film's connection with Dances With Wolves, where a battered soldier finds himself drawn to the tribal culture he was initially fighting against.[46] At Comic Con 2009, Cameron told attendees that he wanted to make "something that has this spoonful of sugar of all the action and the adventure and all that". He wanted this to thrill him "as a fan" but also have a conscience "that maybe in the enjoying of it makes you think a little bit about the way you interact with nature and your fellow man".[47] He added that "the Na'vi represent something that is our higher selves, or our aspirational selves, what we would like to think we are" and that even though there are good humans within the film, the humans "represent what we know to be the parts of ourselves that are trashing our world and maybe condemning ourselves to a grim future".[47]
Limited disapproval of the film has been focused not on the technical production, but on some alleged underlying political themes. For instance, Armond White of the New York Press disliked what he perceived to be the film's sociopolitical messages,[109] while The Christian Post lamented that "the American military was pure evil while the Pandoran tribespeople were nature-loving, eco-harmonious, wise Braveheart smurf warriors".[110] Similar sentiments were voiced on Michelle Malkin's conservative themed Hot Air blog, which decried the film as "ardently left", "pro-indigenous native", "anti-corporate", "anti-imperialist", "anti-U.S. Iraq War effort", "anti-U.S.-in-Afghanistan", "anti-Bush-Cheney-Rumsfeld" and politically "pure Che Guevara".[111]
Telling you this is not a smear or an insult.
Telling Dean that his enjoyment of the visuals and the plot is not a reason to rationalize that the theme is not what it is is not a personal insult.
What next, Jordan, will you be calling me a fascist?
And Robert, did you even read that I said that I rationalize movies like this too? Insult you? I am not trying to beat you like a cur with the irrevocably-repudiate-the-evil judge-and-be-judged stick. You don't need to bite me when I'm trying, once again, to be friendly.
I don't think the notion that a movie can have an evil theme yet be artistically well executed is either incomprehensible or a personal affront. You don't have to be an Objectivist to understand this. But I am an Objectivist and what I have been trying to explain at the cost of yours, Jordan, and your, Robert's, insulting and childish indignation is supported at length by Rand and Branden in the books I suggested above. Read the texts. Your argument is with Objectivism, not me.
Merry Christmas.
(Edited by Ted Keer on 12/23, 9:38pm)
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