About
Content
Store
Forum

Rebirth of Reason
War
People
Archives
Objectivism

Post to this threadMark all messages in this thread as readMark all messages in this thread as unreadBack one pagePage 0Page 1Page 2Page 3Page 4Page 5Page 6Forward one pageLast Page


Sanction: 12, No Sanction: 0
Sanction: 12, No Sanction: 0
Sanction: 12, No Sanction: 0
Post 60

Monday, July 4, 2005 - 11:33amSanction this postReply
Bookmark
Link
Edit
Why does the word "smarmy" keep popping into my head on this thread?

Michael


Sanction: 8, No Sanction: 0
Sanction: 8, No Sanction: 0
Post 61

Monday, July 4, 2005 - 11:48amSanction this postReply
Bookmark
Link
Edit
Andrew, you have completely mixed up nihilistic and naturalism.

"A horrid, nihilist sense of life permeates the entire film."

Do you know what nihilist is?

*SPOILERS*
The ending of the movie with the whole family surviving and meeting at grandma's house.
When Cruise helps the woman and her daughter try to get on the boat.
When the people in the cages work together to pull Cruise out of the ship.
The son helps the people get on the boat.
The son "joins" the army to fight the aliens.
The couple who thinks Dakoto is abandoned and try to save her.
Robbins saving them by getting them in the cellar.
Cruise killing Robbins to stop him from killing them all.(see below)

These don't seem very nihilistic. 

What was most interesting was that (unlike the book, radio recording, 50's movie and the three low budget films based on the book) Spielberg actually has humans successfully fighting and killing aliens for the first time (Cruise with the grenades and the army bazooka team) instead of sitting in a church waiting to die.

The most unusual life affirming scene is when Cruise kills Robbins. Robbins won't shut up, takes stupid risks and is violent toward Cruise, in dangering him and his daughter. How many films have you seen where people get killed, etc.  because some asshole can't shut up or thinks evil can be negotiated with.

A real example in the news: the Iranian hostages from 1979. The marines had everyone in a secure vault area when the animals came over the wall. Some State Dept. asshole insisted to be let out to "negotiate with the students" and was captured and was used to get everyone else to give up to protect to him.


Sanction: 6, No Sanction: 0
Sanction: 6, No Sanction: 0
Post 62

Monday, July 4, 2005 - 12:03pmSanction this postReply
Bookmark
Link
Edit
MSK asks
>Why does the word "smarmy" keep popping into my head on this thread?

MSK, if you have an argument to make or some point to contribute, to the debate could you do so, and state it clearly?

Thanks

Daniel




Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 63

Monday, July 4, 2005 - 12:35pmSanction this postReply
Bookmark
Link
Edit
Bill,

I agree with you that art influences individuals but the way this occurs, in my opinion, is complex enough for us to dispense with simplistically saying that this or that movie will have a drastic effect on someone's life without opening up avenues for critical discussion and interpretation.  My opinions on many movies change daily as I know more about them.  For example, I used to love Gattaca, and a part of me still does, but the more and more I learned about evolutionary biology and behavioral genetics, the more I shook my head about the ideas that Gattaca pushed. I think that sometimes, what we bring to a movie is at least as important as what the movie presents.

I watched lots of Indian movies growing up, but I haven't watched any recently.  Indian culture is generally less secular and in most ways, far more conservative than American culture.  Indian movies are an outlet to let the imaginations of the dreamers run wild. That's one popular take on Bollywood.

I didn't see Hitch in the theaters.  I watched it on DVD last weekend and I was a little disappointed.  I like analyzing dating dynamics and I guess the movie could be divided into three parts.  The first two parts were good, but the last part seemed so insulting to my intelligence that I had to lower my opinion of the movie, as much as I had enjoyed the first two parts.

My best friend really enjoyed The War of the Worlds, and recommended that I see it, and he is not someone that I would expect to have enjoyed the movie.  I will have to see it for myself sometime soon (this weekend at the very latest).

I grew up in another culture, but in many ways, I was essentially Western-educated.  I think that my insight into diversity enables me to appreciate in a nuanced fashion some of the things that people who see the world bi-chromatically take for granted.

If I was to take the kind of approach that some people on this thread have taken towards art, I think that I would dismiss out of hand the opinions of anyone who claimed to be an expert on art and didn't think highly of Beethoven and Shakespeare because of a "malevolent sense of life" and "determinism".  But since I like some of Ayn Rand's writings, I don't have to do that uncritically. I can deal critically with her ideas and those of others as much as I want to without looking for evil essentials in her writing and treating all her work as such. 

Cheers,

Laj.


Sanction: 12, No Sanction: 0
Sanction: 12, No Sanction: 0
Sanction: 12, No Sanction: 0
Post 64

Monday, July 4, 2005 - 1:02pmSanction this postReply
Bookmark
Link
Edit
Sure Daniel, I have a point.

I don't care much for smarmy. I think you (and some others) lower the level of your discussion by being smarmy. It's between-the-lines crap. Its cheap. It's not about ideas. I think you might even be better than that. I'm sorry I didn't make that clear enough.

I do have a few comments on the horror genre (not against) I will be posting later if this thread can stay out of one-upmanship bs.

Michael

Post 65

Monday, July 4, 2005 - 1:18pmSanction this postReply
Bookmark
Link
Edit
Max,

This is just my take on aliens and that aliens in SF mostly means foreigners with human ethics (in one form or the other). Those aliens were used to show racial differences or altruistic ethics or even emotionless (Spock f.e.) species. In horror genre they are mostly some kind of evil creature, perhaps comparable to a crazy person that just does its evil deeds, because it has no gasp over reality.
It's not just your take.  In fact, aspects of WOTW (the original book) were criticisms of colonialism. 


Sanction: 4, No Sanction: 0
Sanction: 4, No Sanction: 0
Post 66

Monday, July 4, 2005 - 3:03pmSanction this postReply
Bookmark
Link
Edit
Laj,

I agree that the influence is complex and that no one movie or other work will have a drastic effect on someone. My concern is that many of the younger generation (Andrew, I'm talking about people younger than you! :^) ) are exposed to all sorts of bad artistic influences repeatedly, but seldom have anyone present great positive classics to them. I see at the local multiplex all sorts of older teenagers or those in their early 20s whom I would by no means describe as "fresh-faced," and I think that is really sad.

So it is a far cry from saying that a particular work has a certain value for educated, intellectually well-rounded individuals, and saying that the youth of Western society should be fed an exclusive diet of that sort of work, without a Romantic Realist chaser.

I agree with you about Indian culture. Many of these movies, including some of the best, like _Kabhi Khushi Kabhie Gham_ ("Sometimes happy times, sometimes sad", 2001) do have a prominent component of showing Hindu religious ceremonies and family traditions that I suppose should objectively be repellent to me. But from my personal perspective, the Hindu stuff is so far removed from what I grew up with in the American South that it just does not convey the same staleness that Roman Catholic, Evangelical Protestant, or Baptist scenes would.

And almost every commentator on modern Hindi films has remarked on how there is a tension in their themes and symbolism between old religious ideas of determinism, caste, and tradition versus modernism and free will. Usually this tension takes the form of a struggle between a parent pushing for an arranged marriage and a child who believes in a match based on romantic love, but it is a recurring _leitmotif_ in many different aspects. So I interpret the religious scenes as having a part to play in that exciting dialog.

If you have not seen a Bollywood movie recently, you might want to take them up again. I have seen some of the older ones and don't care for them nearly as much as for the new ones. (Something no one has heard me say about Hollywood's output!) They really did turn some artistic corners after their industry crashed in the 90s.

I agree with you on the point of not seeing the world bi-chromatically. A broadening of education is a great thing. I also love Shakespeare and Beethoven. And as for Rand's other opinions on art outside her own expertise: well, the best I can say for her analysis of Hindu dance is that one of her main flaws as a thinker is that she didn't watch enough movies starring Manisha Koirala!

http://www.rage-india.com/dilse/home.htm

-Bill

(Edited by William A. Nevin III
on 7/04, 3:21pm)


Post 67

Monday, July 4, 2005 - 3:07pmSanction this postReply
Bookmark
Link
Edit
MSK writes:
>I don't care much for smarmy. I think you (and some others) lower the level of your discussion by being smarmy.

Hi MSK
It's ok. Laj has pulled me up before going too far over to "the dark side" on this thread, and I've thanked him accordingly.

But I'm not going to mea culpa too much, as I've received a fair few supportive posts and Atlas points on this issue so far. As far as I can see, I just need to make sure I keep it that way.

Now, your thoughts on Spielberg?

- Daniel


Post 68

Monday, July 4, 2005 - 4:03pmSanction this postReply
Bookmark
Link
Edit
Bill,

I agree with you.  Like Churchill, I don't believe that realism/naturalism is a philosophy for the young. Young people should have a steady diet of superhero comics, Disney and Pixar movies, old fashioned Errol-Flynn type heroism spoonfed to them daily and lots of classics, especially musicals like The Sound of Music and Hello Dolly.  

On the other hand, I think that even the best of these movies, though they may have heroic themes, deal realistically with the human struggle. And that is why they endure - the perpetual desire for romantic harmony between sexes, the trials of adolescence, the child who seeks friends etc.  All these things can be good themes in children's movies. Moreover, there are multidimensional stories that end tragically in some regards and well in others.  There are also stories with themes that the children can later grow into.

In addition, I am happy that you appreciate the need for artistic diversity for rounding an individual's tastes.  In fact, Daniel's criticism of Andrew Bissell's post is most charitably (and best) understood as an attack on the narrow, Romantic view that seems to inform some Objectivist criticism of "naturalist" art.  Whether Andrew's view is a part of that narrow view is open to debate (I think Andrew's view is likely to be a part of that tradition, but I haven't seen the movie and I don't think that I have to seriously justify my aesthetic tastes to others, nor others to me, because I've always had tastes that were not mainstream in whatever group of friends I surrounded myself with and I can't always intellectually justify them to anyone's satisfaction.)  However, I think that any charitable discussion of artistic views is good.  What is not good is using all the epithets one can muster to describe those with whom one disagrees about art - the basis for disagreement could be anything and this was what I was asking Daniel to stay away from.

One of the big points of evolutionary theory is that human beings are not special in any mystical way - they are simply bigger brained primates that have evolved to possess extremely complex brains - and that what makes us special has evolutionary origins.  If a novel like Wells's decides to tie that view into its philosophical underpinnings, is it now depraved because this brand of scientific naturalism isn't quite compatible with Objectivism?  If I, as a scientific naturalist, thinks that view is a stroke of genius in the year 1898, and an Objectivist doesn't, am I now allowed to insult the Objectivist to my heart's content?

But maybe it wasn't purely a stroke of genius.  In fact, when one remembers that Wells's novel was partly a criticism of colonialism, then we can remember that many colonialists were often ravaged by local diseases, though this was a two way street - colonialists sometimes brought diseases that ravaged the locals.

I guess it's easier to just label the movie nihilism, shut off all intellectual discussion, and then dehumanize everyone that disagrees.

But I digress - I agree with you.  And I will definitely resume watching some Bollywood - I've wanted to watch "Monsoon Wedding" for a while.

Laj.


Sanction: 4, No Sanction: 0
Sanction: 4, No Sanction: 0
Post 69

Monday, July 4, 2005 - 5:28pmSanction this postReply
Bookmark
Link
Edit
Laj,

From time to time someone who has contributed to this site mightily will go out on a limb with a post that falls flat. Or someone in the right will go a little bit overboard in criticizing another's post. Or someone in the wrong on a particular issue will go a little bit overboard in criticizing another's post. (I'm speaking generally here - present company on this thread most certainly excepted!)

Since this is a site devoted to the passionate pursuit of ideas by those who take ideas seriously, some of this is unavoidable. There will always be times when such people will become hot-tempered in discussing values that are so precious to them. If they did not take ideas so seriously, they would perhaps not use such fierce language, but then again they would not have motive to be so creative. And sometimes we must write an idea and make it public before we can know what others will think of it, both because public acclaim is unpredictable and because sometimes there are implications in our ideas, for good or ill, that others can tease out where we cannot.

When this give-and-take results in quarrels or hurt feelings, I am reminded of a couplet from Urdu court poetry that is quoted in _Monsoon Wedding_:


Only brave warriors have fallen from their horses in battle
How can cowards on their knees know what a fall is?


Nevertheless, as George Smith Patton pointed out, it is better for the overall war effort not to fall in battle. ;-)

-Bill
(Edited by William A. Nevin III
on 7/04, 5:43pm)


Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 70

Monday, July 4, 2005 - 5:45pmSanction this postReply
Bookmark
Link
Edit
I saw War of the Worlds today and liked it. It's your typical big budget science fiction thriller. There is not a lot of substance (for that see Million Dollar Baby) but if you like to sit on the edge of your seat and see spectacular special effects, this movie should satisfy nicely.

Nihilistic? I don't think so. It's about a father doing anything and everything he can to protect his greatest values, his son and daughter, against seemingly impossible odds.

If you want to know what movies to avoid, stay clear of what I've dubbed "the trilogy of Kevin Spacey death movies:" American Beauty, Pay It Forward, and The Life of David Gale.



Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 71

Monday, July 4, 2005 - 7:26pmSanction this postReply
Bookmark
Link
Edit
Bill,

Since this is a site devoted to the passionate pursuit of ideas by those who take ideas seriously, some of this is unavoidable. There will always be times when such people will become hot-tempered in discussing values that are so precious to them. If they did not take ideas so seriously, they would perhaps not use such fierce language, but then again they would not have motive to be so creative. And sometimes we must write an idea and make it public before we can know what others will think of it, both because public acclaim is unpredictable and because sometimes there are implications in our ideas, for good or ill, that others can tease out where we cannot.
I agree 100%.  The problem is that some people prefer that passionate debate be their exclusive right, a right that they deny their opponents using all kinds of rationalizations, including the purported inherent irrationality of the opponents, as justification.

Laj.


Post 72

Monday, July 4, 2005 - 8:18pmSanction this postReply
Bookmark
Link
Edit
So true, Laj...

Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 73

Monday, July 4, 2005 - 9:13pmSanction this postReply
Bookmark
Link
Edit
Laj writes:
>I agree 100%. The problem is that some people prefer that passionate debate be their exclusive right, a right that they deny their opponents using all kinds of rationalizations, including the purported inherent irrationality of the opponents, as justification.

Laj,

You should know by now that flatulating, pompous, pomo, nihilist, clever-dick, smart-ass, pseuds only *ever* bait arguments with hair-splitting word-games, and live to taunt decent and idealistic people with childish, false name calling.

They only have absurd arguments to make, and they *never ever* have the guts to stand up and defend something for they passionately believe in, even when clearly challenged. They never stick around for the long haul of critical debate, they just gutlessly dump and run.

Just so you know, in case you should meet one of these disgusting creatures...;-)

- Daniel

Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 74

Monday, July 4, 2005 - 9:39pmSanction this postReply
Bookmark
Link
Edit
Laj wrote:

"That website also cites Ayn Rand's Virtue of Selfishness in its pantheon of nihilist classics.  Need I say more?" Mistaking Ayn Rand's ethics for a form of nihilism appears to be a common mistake. (See this wikipedia entry on the subject, which mentions Atlas Shrugged.) I'm not too familiar with the links that nihilists allege between their ideas and Rand, but I would hypothesize that they're a result of Rand's advocacy of atheism and selfishness, which at a suface-level glance can appear Nietzschean in nature.

At any rate, I do not believe the author of that website is unfamiliar or mistaken as to the fundamentals of nihilism itself. Therefore, his inclusion of Wells's TWOTW is inductive evidence that that novel has nihilist themes. Now, if you think that his inclusion of TWOTW is also mistaken, I'm all ears as to why. (Of course, not having read the novel, I'm at a loss to press this part of the discussion too much further. However if it is true, as Glenn writes, that everyone just "sits in a church waiting to die," the case might be hard to construct.)

With regard to your post 52 Laj, I think you raise some interesting questions. I hope, once you have seen the movie, that we'll be able to hash them out a bit further.

However, you also write, "Remember the rule of thumb: for many Objectivists,snide comments at dissenters are morally justified because of the dissenter's inherent immorality.  However, snide comments from dissenters are signs of evil and irrationality." I am wondering, who specifically are you accusing here, and in what posts did they do this? I don't deny making many snide comments about Daniel, but they only appear after Post 9, where he himself threw down the glove.

Bill, I really enjoyed reading your posts about Bollywood movies. I would like to borrow (and maybe watch?) a few of your favorites at TOC. And feel free to keep talking about it on this thread... Let a thousand lotuses bloom!  8 )

Glenn asks, "Do you know what nihilist is?" I'd say, broadly speaking, it is the belief that existence is without importance or value, or that it is futile. I've already stated my reasons for believing that the movie is nihilistic despite the occasional presence of humans struggling for survival or displaying a wish to stay alive, even with the happy ending in mind. You offer a few other moments from the movie, but I think they're all soured in some way:
*SPOILERS*
"The ending of the movie with the whole family surviving and meeting at grandma's house." I've explained that I think this is a shallow and saccharine moment, a critique that has also been made by many other movie commentators.
"When Cruise helps the woman and her daughter try to get on the boat."
"The son helps the people get on the boat."
A boat which is doomed from the very beginning. Even before they had set off from the dock I remarked to my friend, Aren't there just going to be some other aliens to come along and get that boat?
"When the people in the cages work together to pull Cruise out of the ship."
This, along with the army bazooka team, is part of the happy ending that, for reasons I've outlined, is a jarring appendix to the rest of the movie.
"The son 'joins' the army to fight the aliens."
An army that is summarily defeated at every turn. We have every reason to believe Robbie has needlessly died in a massive fireball, until he miraculously reappears in the very last moments of the film.
"The couple who thinks Dakoto is abandoned and try to save her."
And nearly separate her from her father, as she desperately begs the couple to just turn their heads around and *look.* Was I the only one who thought Dakota should have given that lady a punch in the jaw?
"Robbins saving them by getting them in the cellar."
Robbins then turns out to be an incoherent rambler who almost gets them killed several times, might (the movie seems to hint) be a pedophile, and eventually necessitates this scene:
"Cruise killing Robbins to stop him from killing them all.(see below)"

This last scene has been mentioned several times now, but I did not find it life-affirming at all. In fact, it made me grimace. Strictly speaking, yes, Ray makes the right decision. But in the process, a man loses his life and Ray's daughter is forced to witness her dad kill a man (it is clear she knows what is going on, blindfold and singing notwithstanding). This is the sort of "lifeboat ethics" decision Rand criticizes quite well in VOS. It can best be described as "tragically necessary," and certainly not "life-affirming" or "the sort of thing Objectivists want to see."

To return to the question of whether the movie as a whole can be fairly called nihilistic, I think it is instructive that I'm not the only one who thought the ending was tacked-on. In fact, during our post-movie discussion, I was about to make the comment, "It would have made more sense for the aliens to win," when my friend said the exact same thing, and my other friends agreed. Can we at least agree that, had that been the ending, it *would* have been nihilistic. If so, I say that it is nihilistic anyway, because the last 15 or 20 minutes are, as I said, an afterthought.

Laj writes, "If I was to take the kind of approach that some people on this thread have taken towards art, I think that I would dismiss out of hand the opinions of anyone who claimed to be an expert on art and didn't think highly of Beethoven and Shakespeare because of a "malevolent sense of life" and "determinism"." Who, specifically, do you believe has taken this approach?

I think you raise some very interesting points in Post 68. For instance, I had heard about the relationship to colonialism after reading the Wiki entry on Wells's TWOTW. I actually thought the idea (assuming it's really where Wells was coming from) was rather clever. Satire at its best is often biting and even pessimistic. But I do not think that this movie can be paid the same compliments or was made in the same spirit.

"I guess it's easier to just label the movie nihilism, shut off all intellectual discussion, and then dehumanize everyone that disagrees."
"The problem is that some people prefer that passionate debate be their exclusive right, a right that they deny their opponents using all kinds of rationalizations, including the purported inherent irrationality of the opponents, as justification."
Again I ask, who specifically are you referring to here?


Sanction: 9, No Sanction: 0
Sanction: 9, No Sanction: 0
Post 75

Monday, July 4, 2005 - 11:03pmSanction this postReply
Bookmark
Link
Edit
Daniel,

I had to go out today and just returned. Relative to your Post 67, I saw it before I left, and was actually looking forward to sitting down and writing an intelligent defense of one aspect of horror movies that I believe meets the human psyche and possibly does not conflict with the Objectivist romantic conception of art. I was getting pleasure out of the idea. (Basically the horror film would be more in the category of thrill entertainment, not reflective art.)

But now I find that I am glad I had to delay. I long to find some intelligent people to talk to about these topics, You showed promise but all you do is smarm when you run out of arguments. Things always go back to smarmy with you, don't they? So smarm on smarm boy.

I really did think you were better than that. Sorry I was mistaken. I don't think I will post anymore on this topic with you.

All this goes for Laj too. I seek intelligence, not smarm.

Have a ball you guys.

Michael


Post 76

Tuesday, July 5, 2005 - 12:00amSanction this postReply
Bookmark
Link
Edit
Andrew writes:
>I don't deny making many snide comments about Daniel, but they only appear after Post 9, where he himself threw down the glove.

Andrew, this is clearly *incorrect*. Let's put the events in order, and then maybe you can see why I started to get annoyed.

In fact, this discussion *actually* started on the "Sharp Test For Films" thread.

After an initial wow! in Post 47, I posted a thorough rave in Post 50 and 51. I wrote:"....Big star politics aside, Spielberg then gets down to business in what I think is one of the most serious films of his career.....war as not just evil, but as the comprehensive destruction of human cosmology...." Mine was the only treatment of any length, and I was clearly very enthusiastic.

Andrew responded in Post 53:
>I thought War of the Worlds was one of the most disturbing, horrible movies conceivable, with a paper-thin plot to boot. I'll post a more in-depth analysis in another forum thread....

Over to this thread, where Andrew kicked off with:
>...If your friends or acquaintances try to get you to see this movie, *don't.* A horrid, nihilist sense of life permeates the entire film....Spielberg...intentionally and crassly inserts imagery and events meant to evoke the attacks of September 11....to soften up the audience for 90 minutes of sheer terror...simply unconscionable....I could not have conceived a script that conveyed half this film's level of sick, hopeless despair, reveling in bloodshed.... I wanted to puke" etc.

Now imagine you'd just raved about a great movie or novel, and then the next thing someone says in the conversation is "Hey everyone, whatever you do, *DON'T * see the movie that guy was just raving about, it's puke, malevolent, senseless evil, horrid, nihilist sense of life permeates it, crassly exploits Sept 11....etc"

Would you feel that person was having a go at *you*? Right there, attacking your moral character - after all, what kind of person could like such a monstrosity? - but not having the courage to do it *directly*? (Brant, the other person who liked the movie has now left the forum over this debate. He pretty clearly got the same impression) Well, that's what I felt.

That's why this later post seemed just disingenuous disclaimer:

Andrew:Post 36
>...But nowhere in my posts here, or in the series of posts that started this discussion on the "Sharp Test" thread, http://solohq.com/Forum/ArticleDiscussions/1247_2.shtml#47, did I attack anyone's character simply on the basis of their liking this movie....

Why, how could anyone get *that* absurd idea...;-) So you can easily see why I took particular offense.

So *that* is the actual situation as far as I can see.

Now, history aside, here's what I propose to do.

If this whole situation has been a terrible error - that you *didn't *mean to attack my moral character in any way, shape, or form with your review, and you sincerely regret the misunderstanding caused, just say so and I will accept this apology without reservation.

I will likewise apologise *absolutely* for any offense made by my response, and sincerely express my regrets over the whole thing.

Then maybe we can have a more sensible - but hopefully still passionate! - discussion.

OK?

- Daniel

Post 77

Tuesday, July 5, 2005 - 12:16amSanction this postReply
Bookmark
Link
Edit
MSK
>Things always go back to smarmy with you, don't they? So smarm on smarm boy

MSK, everything in that post was said by *Linz* against *me* in this very thread. I do not mind it too much, as it is just juvenile, but like all juvenilia it is getting very tiresome. But you might just want to remember it next time you tell me my 'smarm' is the cause of the low tone of the discussion.

Seriously - how can you really honestly *believe* that?

- Daniel

Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 78

Tuesday, July 5, 2005 - 1:16amSanction this postReply
Bookmark
Link
Edit
Andrew,

I'll try to avoid re-quoting you for the most part.  I apologize for anything I omit in the process.

On Nihilism, VOS and TWOTW:

Fair enough - I should have said more.  I have no problem with the claim that TWOTW(book or movie, book especially) has some nihilist themes, though I would object to the claim that it supports philosophical nihilism.  Nilhilism means a fairly wide variety of things and after looking at dictionary.com, I guess that Rand's writing could be superficially subsumed under some definitions as having nihilist themes. 

My general point is that calling a work of art nihilistic loses some of its force if the term "nihilism" can be applied to things that clearly have value. I like some of Nietzche's writing, and if that has nihilist themes too, it's too bad.

ni·hil·ism   Audio pronunciation of "nihilism" ( P )  Pronunciation Key  (n-lzm, n-)
n.
  1. Philosophy.
    1. An extreme form of skepticism that denies all existence.
    2. A doctrine holding that all values are baseless and that nothing can be known or communicated.
  2. Rejection of all distinctions in moral or religious value and a willingness to repudiate all previous theories of morality or religious belief.
  3. The belief that destruction of existing political or social institutions is necessary for future improvement.
  4. also Nihilism A diffuse, revolutionary movement of mid 19th-century Russia that scorned authority and tradition and believed in reason, materialism, and radical change in society and government through terrorism and assassination.
  5. Psychiatry. A delusion, experienced in some mental disorders, that the world or one's mind, body, or self does not exist.
Wells' book attacked many ideas in 19th century English society that might seem a bit culturally archaic in 20th century America.  That could qualify as nihilism but I find it hard to comfortably place anything Wells wrote under any of the definitions above.

Moreover, I am willing to admit that without seeing the movie, the idea that man isn't the center of the universe and isn't some higher/highest stage in evolution in an anthropocentric way can qualify as a nihilist theme, and I'm sure the movie has this - in fact, many people consider evolutionary theory to have nihilist implications, because evolutionary theory argues that man is just as much the consequence of evolutionary processes as are bacteria.

Where we disagree is that I don't necessarily see this kind of nihilism as bad art because it speaks to a genuine aspect of human nature and life, but I can understand if you do so.  So we can see that even if we came to an agreement that TWOTW(movie) was nihilistic, I would be more interested in how the art handled the theme.

And as Daniel pointed out, war is nihilistic if nihilistic means that values we sometimes call "reasonable", "practical" or "absolute" get thrown out of the window in some contexts.  The kind of nihilism I dislike is the kind that flouts social convention or reasonable behavior with little reason or context being provided to explain the behavior of those who behaved unreasonably. That kind of nihilism looks like random madness and a tacit endorsement of such behavior because there is no context, or the context seems quite divorced from the behavior, so anything goes.  If TWOTW movie comes across to me that way, I'll admit it. It seems to me, from what I've read, that Spielberg wanted to explore some aspects of human nature and war in a setting that didn't require him to demonize a country and in which his imagination could run wild.

On debating tactics and art criticism:  I was simply repeating a comment about debates that I had made earlier.  I think that Jonathan's posts contain all the relevant satire about approaches to art criticism and I have little to add to them. Yes, you are right, Daniel threw down the glove, but he felt that you were criticizing his positive reaction to the movie.  However, he might have been wrong, and your reaction may be more an outcome of your feelings upon seeing the movie. In general, I enjoyed the back and forth and I didn't even mind the snide comments.  Snide comments can be a part of healthy debate, though they are not a necessary part of such debate.  I have agreed with Bill about this- however, moments of irrational exuberance without a history of such behavior are enough to warrant indefinite moderation on SOLO so I guess I must be careful when I argue.

I agree with Daniel's perspective, but since I haven't seen the movie, it may have more to do with my reaction to certain criticisms of "malevolent", "life-destroying" art by some Objectivists. I think of some movie reviews by Scott Holleran and some of Ayn Rand's criticisms of great Western art when I write that.  And no, you were not the target of my statement about labelling works of art rather than criticizing them- after all, you did watch the movie and are now explaining your bottom-line judgment.    However, whoever the shoe fits can wear it.

However, MSK displayed the attitude that I spoke of in his last post, calling my posts "smarmy", but of course, refusing to admit that the same attitude is present in many of the posts he likes.  In fact, I gave in to the Dark Side when writing my last few posts partly because of MSK's post 60 and I'm happy he has finally named me as a target of his criticism.  Obviously, MSK has no problem with people being labelled as pomowankers, but he is willing to accept that when those people retaliate, they are being "smarmy".



One last thing about the movie's nihilism:  You wrote:

This last scene has been mentioned several times now, but I did not find it life-affirming at all. In fact, it made me grimace. Strictly speaking, yes, Ray makes the right decision. But in the process, a man loses his life and Ray's daughter is forced to witness her dad kill a man (it is clear she knows what is going on, blindfold and singing notwithstanding). This is the sort of "lifeboat ethics" decision Rand criticizes quite well in VOS. It can best be described as "tragically necessary," and certainly not "life-affirming" or "the sort of thing Objectivists want to see."

These difficult decisions are part of everyday life, and good art sometimes depicts the tragically necessary.  Good art can expose us to struggles that we are yet to experience in realistic ways, or it can help us empathize with struggles that we will never experience.  Naturalism sometimes has a valid role in art, and I will continue to take Objectivists to task within the practical limits of my doing so for thinking that illustrating or depicting ways people cope realistically with tragic aspects of life is an invalid function of art.  Man as he is is often at least as fascinating and necessary to understand as man as he could be.

Cheers,

Laj.

(Edited by Abolaji Ogunshola on 7/05, 1:27am)


Sanction: 3, No Sanction: 0
Sanction: 3, No Sanction: 0
Post 79

Tuesday, July 5, 2005 - 9:36pmSanction this postReply
Bookmark
Link
Edit
Just to give Spielberg's view. Turner Movie Classics just ran a documentary on the influence of 50's movies on todays directors.

Spielberg said that because of the large amount of WWII documentaries he has watched for his movie making and jewish activism, 9-11 had a unique influence on him. [my condensing of his words] America is a land of immigrants so a lot of our ancestors were in refugee like situations but there has never been a refugee problem in America like you see on cable news today. WWII documentaries have middle class people leaving well to do cities like Paris which looked like the people leaving Manhatten on 9-11. If 9-11 never happened I would have the earthlings/aliens fighting 50/50 like a regular Hollywood movie. I was trying to make a film about the immigrant experience.



Post to this threadBack one pagePage 0Page 1Page 2Page 3Page 4Page 5Page 6Forward one pageLast Page
[an error occurred while processing this directive]